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Category Archives: Existentialism

Reconstructivist Art: Every Day the Same Dream

I’m not usually one to rave about a video game, but this simple, easy to play , quick to complete game changed my entire evaluation of the potential of video games as an art form. A dark, existential humanist parable about an office drone, the game uses a severely limited set of options and locations as a strength rather than a weakness

How would you, as an Existentialist yourself, respond to charges that Existentialism is too relativistic and undisciplined for Christian faith? Also, how would you reconcile Kierkegaardian radical individualism with the traditional and Biblical idea of the importance of church and fellowship?

It’s fair to say that pure existentialism is unsustainable. The burden of radical free choice quickly become mentally and emotionally overtaxing, as though one was carrying the weight of the universe on one’s shoulders. My existentialism, therefore, is anchored by Christianity at one end and humanism at the other –as Kierkegaard, godfather of existentialism, intended. [...]

Does Existentialism, in general, synthesize well with other philosophies such as Phenomenology?

The term phenomenology means the study of phenomena, where phenomena means observable experience. The chief difference between phenomenology and empiricism (which also studies observable experience) is that phenomenology tends to focus on subjective, first-person experiences of the world, whereas empiricism aspires to create an objective, third-person experience of the world. The “existence” in Existentialism, on [...]

Kierkegaard’s Narrative

"Kierkegaard's Narrative" is an existential humanist plot outline named after the Danish philosopher Søren Kierkegaard. In general, it runs as follows: An aimless young man drifts through life, obsessed with aesthetics, and seeking sexual fulfillment with a series of women, yet never making substantive choices or real commitments. The climax of the story is the protagonist's decision to commit to a single woman, and to enter into marriage.

The raw source material for this plotline is found in Kierkegaard's books "Either/Or," "Fear and Trembling," and "Repetition," in which he takes on the persona of various first-person narrators, and describes their experiences.